Instructions to use Raxephion/Krea2-Serendipity-V2 with libraries, inference providers, notebooks, and local apps. Follow these links to get started.
- Libraries
- Diffusers
How to use Raxephion/Krea2-Serendipity-V2 with Diffusers:
pip install -U diffusers transformers accelerate
import torch from diffusers import DiffusionPipeline # switch to "mps" for apple devices pipe = DiffusionPipeline.from_pretrained("Raxephion/Krea2-Serendipity-V2", dtype=torch.bfloat16, device_map="cuda") prompt = "Sample 1" image = pipe(prompt).images[0] - Notebooks
- Google Colab
- Kaggle
- Local Apps Settings
- Draw Things
- DiffusionBee
Update README.md
Browse files
README.md
CHANGED
|
@@ -2,4 +2,234 @@
|
|
| 2 |
license: other
|
| 3 |
license_name: krea2
|
| 4 |
license_link: https://huggingface.co/krea/Krea-2-Turbo/blob/main/LICENSE.pdf
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 5 |
---
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 2 |
license: other
|
| 3 |
license_name: krea2
|
| 4 |
license_link: https://huggingface.co/krea/Krea-2-Turbo/blob/main/LICENSE.pdf
|
| 5 |
+
library_name: diffusers
|
| 6 |
+
pipeline_tag: text-to-image
|
| 7 |
+
tags:
|
| 8 |
+
- text-to-image
|
| 9 |
+
- checkpoint
|
| 10 |
+
- finetuned
|
| 11 |
+
- krea2
|
| 12 |
+
- realism
|
| 13 |
+
- fp8
|
| 14 |
+
- cinematic
|
| 15 |
+
base_model:
|
| 16 |
+
- krea/Krea-2-Turbo
|
| 17 |
---
|
| 18 |
+
|
| 19 |
+
---
|
| 20 |
+
|
| 21 |
+
# Serendipity — The Director’s Checkpoint - V2
|
| 22 |
+
|
| 23 |
+
|
| 24 |
+
**Serendipity** is a Krea 2 Turbo checkpoint built for creators who want more than another close-up portrait generator.
|
| 25 |
+
|
| 26 |
+
Where many checkpoints have a tendency to pull scenes inward toward faces and tight compositions, **Serendipity behaves more like a film director** — responding strongly to camera placement, spatial depth, environmental scale, blocking, movement, and complex multi-subject stage direction.
|
| 27 |
+
|
| 28 |
+
It was created specifically with **cinematic storytelling and photographic composition** in mind.
|
| 29 |
+
|
| 30 |
+
Whether you are:
|
| 31 |
+
|
| 32 |
+
* storyboarding a film,
|
| 33 |
+
* building comic panels,
|
| 34 |
+
* creating atmospheric concept art,
|
| 35 |
+
* composing cinematic stills, or
|
| 36 |
+
* generating high-energy action sequences,
|
| 37 |
+
|
| 38 |
+
Serendipity is designed to give you greater control over **where the camera is, where the subject is, and what is happening inside the frame.**
|
| 39 |
+
|
| 40 |
+
---
|
| 41 |
+
### Sample Generations
|
| 42 |
+
|
| 43 |
+
<table>
|
| 44 |
+
<tr>
|
| 45 |
+
<td><img src="images/01.png" width="100%" alt="Serendipity sample 01"></td>
|
| 46 |
+
<td><img src="images/02.png" width="100%" alt="Serendipity sample 02"></td>
|
| 47 |
+
<td><img src="images/03.png" width="100%" alt="Serendipity sample 03"></td>
|
| 48 |
+
</tr>
|
| 49 |
+
<tr>
|
| 50 |
+
<td><img src="images/04.png" width="100%" alt="Serendipity sample 04"></td>
|
| 51 |
+
<td><img src="images/05.png" width="100%" alt="Serendipity sample 05"></td>
|
| 52 |
+
<td><img src="images/06.png" width="100%" alt="Serendipity sample 06"></td>
|
| 53 |
+
</tr>
|
| 54 |
+
</table>
|
| 55 |
+
|
| 56 |
+
---
|
| 57 |
+
|
| 58 |
+
|
| 59 |
+
## How Serendipity Was Made
|
| 60 |
+
|
| 61 |
+
Serendipity did not begin as a synthetic merge recipe.
|
| 62 |
+
|
| 63 |
+
Its foundation was a **LoRA trained on a carefully curated collection of my own older photography from my former studio**.
|
| 64 |
+
|
| 65 |
+
The training dataset was selected manually from my photographic archive and **hand-tagged image by image**, with an emphasis on the visual principles I wanted the model to learn from real photography:
|
| 66 |
+
|
| 67 |
+
* Composition
|
| 68 |
+
* Subject placement
|
| 69 |
+
* Environmental depth
|
| 70 |
+
* Camera distance
|
| 71 |
+
* Lighting
|
| 72 |
+
* Perspective
|
| 73 |
+
* Motion
|
| 74 |
+
* Visual storytelling
|
| 75 |
+
* Photographic atmosphere
|
| 76 |
+
|
| 77 |
+
**No automated tagging pipeline was used for the core dataset.**
|
| 78 |
+
|
| 79 |
+
The LoRA was then trained, evaluated through repeated generations, refined through testing, and ultimately **merged directly into the official Krea 2 Turbo base checkpoint** to create Serendipity as a permanent standalone model.
|
| 80 |
+
|
| 81 |
+
This distinction is important.
|
| 82 |
+
|
| 83 |
+
Unlike **Soliloquy**, which evolved through a different merged-checkpoint lineage, **Serendipity is built directly on the official Krea 2 Turbo base**.
|
| 84 |
+
|
| 85 |
+
The intention was not simply to make Krea 2 *look different*.
|
| 86 |
+
|
| 87 |
+
The goal was to inject photographic composition and cinematic staging learned from real-world photography while preserving the capabilities of the original base as much as possible.
|
| 88 |
+
|
| 89 |
+
Serendipity is therefore best thought of as a:
|
| 90 |
+
|
| 91 |
+
> **Photography-derived directional refinement of Krea 2 Turbo, focused on composition, spatial awareness, cinematic staging, and visual storytelling.**
|
| 92 |
+
|
| 93 |
+
---
|
| 94 |
+
|
| 95 |
+
## Design Philosophy
|
| 96 |
+
|
| 97 |
+
Serendipity was built around a simple idea:
|
| 98 |
+
|
| 99 |
+
**A strong image model should understand the scene, not just the subject.**
|
| 100 |
+
|
| 101 |
+
The model is intended to respond more deliberately to instructions involving:
|
| 102 |
+
|
| 103 |
+
* Wide and environmental compositions
|
| 104 |
+
* Full-body framing
|
| 105 |
+
* Foreground / midground / background separation
|
| 106 |
+
* Over-the-shoulder shots
|
| 107 |
+
* Camera height and camera distance
|
| 108 |
+
* Low-angle and high-angle perspectives
|
| 109 |
+
* Multiple subjects occupying distinct spatial positions
|
| 110 |
+
* Suspended or moving objects
|
| 111 |
+
* Mid-air action
|
| 112 |
+
* Dramatic environmental lighting
|
| 113 |
+
* Scene blocking
|
| 114 |
+
* Narrative interaction between subjects
|
| 115 |
+
* Cinematic depth
|
| 116 |
+
|
| 117 |
+
Rather than forcing every prompt toward a portrait, Serendipity aims to preserve the **relationship between subject, camera, and environment**.
|
| 118 |
+
|
| 119 |
+
---
|
| 120 |
+
|
| 121 |
+
## Best Suited For
|
| 122 |
+
|
| 123 |
+
Serendipity is particularly well suited to:
|
| 124 |
+
|
| 125 |
+
* Cinematic photography
|
| 126 |
+
* Narrative scenes
|
| 127 |
+
* Film stills
|
| 128 |
+
* Storyboarding
|
| 129 |
+
* Comic and graphic-novel panels
|
| 130 |
+
* Environmental portraiture
|
| 131 |
+
* Action photography
|
| 132 |
+
* Fantasy and science-fiction scenes
|
| 133 |
+
* Multi-character compositions
|
| 134 |
+
* Atmospheric concept art
|
| 135 |
+
* Dynamic camera perspectives
|
| 136 |
+
* Dramatic lighting
|
| 137 |
+
* Large-scale environments
|
| 138 |
+
|
| 139 |
+
---
|
| 140 |
+
|
| 141 |
+
Prompting Tips for Serendipity
|
| 142 |
+
|
| 143 |
+
|
| 144 |
+
|
| 145 |
+
|
| 146 |
+
|
| 147 |
+
Use Camera Directions: Serendipity responds heavily to cinematic framing tokens like wide shot, extreme wide shot, over-the-shoulder, low-angle tracking shot, and anamorphic lens flare.
|
| 148 |
+
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
Describe Stage Action: Don't just prompt a character—prompt what they are doing with their environment (e.g., leaning casually against the wooden bar, flipping a silver coin, mid-air acrobatic leap).
|
| 152 |
+
|
| 153 |
+
|
| 154 |
+
|
| 155 |
+
Layer Your Depth: Mention elements in the foreground, mid-ground, and background to activate Serendipity’s deep bokeh engine.
|
| 156 |
+
|
| 157 |
+
---
|
| 158 |
+
|
| 159 |
+
## Licensing & Disclaimer
|
| 160 |
+
- **Original Model Creators**: All credit goes to [KREA.ai](https://www.krea.ai) for the original research, architecture, and weights.
|
| 161 |
+
- **License**: This model is subject to the **KREA 2 License Agreement**. Please read and comply with the official license terms before using these weights: [KREA 2 Licensing Terms](https://www.krea.ai/krea-2-licensing).
|
| 162 |
+
|
| 163 |
+
---
|
| 164 |
+
|
| 165 |
+
## Model Lineage
|
| 166 |
+
|
| 167 |
+
**Base:** Official Krea 2 Turbo checkpoint
|
| 168 |
+
**Refinement:** Custom photography-trained LoRA
|
| 169 |
+
**Dataset:** Personally curated real-world photography
|
| 170 |
+
**Captioning:** Manual / hand-tagged
|
| 171 |
+
**Final Model:** LoRA merged permanently into the Krea 2 Turbo base
|
| 172 |
+
|
| 173 |
+
No synthetic imagery was used as the foundation of the photographic training dataset.
|
| 174 |
+
|
| 175 |
+
---
|
| 176 |
+
|
| 177 |
+
|
| 178 |
+
## Variants
|
| 179 |
+
|
| 180 |
+
### Current
|
| 181 |
+
|
| 182 |
+
* **Fp8**
|
| 183 |
+
* **BF16**
|
| 184 |
+
* **Int8ConvRot**
|
| 185 |
+
|
| 186 |
+
### Coming Soon
|
| 187 |
+
* **Serendipity-V2**
|
| 188 |
+
|
| 189 |
+
|
| 190 |
+
Serendipity is an ongoing project, and future versions will continue refining composition, cinematic staging, lighting behavior, spatial awareness, and photographic character.
|
| 191 |
+
|
| 192 |
+
---
|
| 193 |
+
|
| 194 |
+
## Version Notes — V1
|
| 195 |
+
|
| 196 |
+
This is the **first public release of Serendipity**.
|
| 197 |
+
|
| 198 |
+
V1 establishes the core direction of the model:
|
| 199 |
+
|
| 200 |
+
* stronger environmental composition,
|
| 201 |
+
* improved camera-distance control,
|
| 202 |
+
* cinematic scene staging,
|
| 203 |
+
* dynamic action,
|
| 204 |
+
* multi-subject framing,
|
| 205 |
+
* photographic lighting,
|
| 206 |
+
* and greater emphasis on spatial relationships within the image.
|
| 207 |
+
|
| 208 |
+
This is not intended to be the final form of the model.
|
| 209 |
+
|
| 210 |
+
Serendipity will continue evolving as I test new training data, refinements, quantization approaches, and model-development techniques.
|
| 211 |
+
|
| 212 |
+
|
| 213 |
+
---
|
| 214 |
+
|
| 215 |
+
## Final Note
|
| 216 |
+
|
| 217 |
+
Serendipity grew out of photography rather than a desire to simply create another aesthetic checkpoint.
|
| 218 |
+
|
| 219 |
+
The photographs used to build its original LoRA represent years of real-world experimentation with cameras, subjects, lighting, framing, and composition.
|
| 220 |
+
|
| 221 |
+
The goal of the project is to carry some of that photographic intuition into a generative model.
|
| 222 |
+
|
| 223 |
+
Not just:
|
| 224 |
+
|
| 225 |
+
**“What should the subject look like?”**
|
| 226 |
+
|
| 227 |
+
But:
|
| 228 |
+
|
| 229 |
+
**“Where is the camera?”**
|
| 230 |
+
**“Where is the subject?”**
|
| 231 |
+
**“What is the environment doing?”**
|
| 232 |
+
**“Where is the light coming from?”**
|
| 233 |
+
**“What is happening in this frame?”**
|
| 234 |
+
|
| 235 |
+
That is the idea behind **Serendipity — The Director’s Checkpoint.**
|